In what ways does Judith Butler’s nuanced depiction of queerness in professional wrestling, which employs gender performativity, chart its progression from mockery to empowerment?
Author: Salman Al Farisi (Page 6 of 89)
Flow (2024) is a contemplative cinematic poem that draws on Confucian principles of related selfhood and challenges Western ideas of individualism by using water as both a symbol and a framework.
“Boardwalk Empire” reveals how political power, violence, and surveillance intertwine in early 20th-century America, echoing New Historicist concerns about how history, ideology, and state control are deeply entangled.
Aaron Pierre’s eerily composed performance in Rebel Ridge transforms his stoic demeanor into a powerful survival tactic, making him a compelling figure in a corrupt, dystopian system.
It traces the intellectual decline in the Muslim world from the Islamic Golden Age through colonial disruption to modern stagnation, arguing that reclaiming a critical and philosophical tradition is essential for cultural revival.
Karissa Chen’s Homeseeking is a poignant novel that explores the enduring effects of historical trauma, love, and displacement across decades and continents.
In The Brutalist, the American Dream is exposed as a beautiful façade masking systemic violence, exploitation, and the brutal reality faced by immigrants.