In the Mood for Love maintains the universality of its formula as art, despite the Hong Kong modernity that once characterized Wong’s style as being the same site he uses.
Category: Analysis and Essay (Page 34 of 46)
Taxi Driver enforces an infectious relationship with its audience.
12 Angry Men offers an exploration of the evil of indifference, far more pervasive yet powerful than the common monster crimes in movies but rare in real life.
In Citizen Kane, old age comes with defeat and does not come with grace.
The strange self-duplicating of the on-screen display becomes a viewing experience for the original viewers of the World on a Wire broadcast.
When it comes to real, internal, subjective, or hallucinations, Persona is almost always the case in a text enjoying superficial confusion.
On Bullshit is just a sense of language, that makes both words different.