Picnic at Hanging Rock establishes itself as a drama centered on the act of looking, both physically and metaphorically, from the very first scene.
Tarkovsky’s cinematic universe in “Mirror” is a mesmerizing odyssey that defies easy interpretation.
Barry Lyndon, derived from the book authored by William Makepeace Thackeray, depicts characters with questionable moral values.
Jeanne Dielman resonates above the rest, built over time through a narrative rooted in formal experience.