Like Watanabe’s previous work, Cowboy Bebop, Samurai Champloo thrives on a diverse creative team and boasts a unique blend of historical and anachronistic elements.
In his composition Civil War, writer-director Alex Garland shows how the United States is enmeshed in a war with numerous rebel groups that are ferociously engaged in an effort to topple the government.
While Monkey Man pays verbal and visual homage to John Wick while using oblique political commentary to set himself apart from similar action thriller fare, the criticism is largely superficial.
A deeper examination demonstrates how casual viewers frequently fail to understand The Matrix’s actual significance.
The War of the Worlds purposefully employs a range of characters to look at how various humans respond to an alien invasion.
Damsel breaks with fantasy film conventions by providing a story that doesn’t conform to expectations from the outset.
Urasawa came up with the idea for Pluto by reimagining Astro Boy’s storyline as The Greatest Robot on Earth and setting it in the framework of a murder mystery.
Dune: Part Two resoundingly proves that $150 million+ big-budget projects don’t have to favor mindless pleasure.