Breathless’s tint of absurdity is a force of Godard’s from how film boundaries are always dishonest.
The 400 Blows cleared the slate at the end but could not be erased due to an ambiguity in Truffaut’s series.
Breathless’s tint of absurdity is a force of Godard’s from how film boundaries are always dishonest.
The 400 Blows cleared the slate at the end but could not be erased due to an ambiguity in Truffaut’s series.