Robert Eggers’ Nosferatu is a visually striking yet emotionally distant film that struggles to capture the haunting impact of his previous works.
Ingmar Bergman’s Shame (1968) powerfully examines the collapse of love and society amidst the horrors of war, offering a stark portrayal of psychological and political decay.
Stanley Kubrick’s Full Metal Jacket explores the brutal dehumanization of soldiers, the struggle for individuality, and the psychological toll of war and military training.
The raw realism of Bicycle Thieves explores poverty, dignity, and the human condition in post-war Italy.
Challengers’ narrative balance is what gives the story its vitality and also poses a threat to it.
Although it’s simple to categorize Fish Tank as a “typical British film,” the film shows viewers who are less fortunate than most of us.
In his composition Civil War, writer-director Alex Garland shows how the United States is enmeshed in a war with numerous rebel groups that are ferociously engaged in an effort to topple the government.
Picnic at Hanging Rock establishes itself as a drama centered on the act of looking, both physically and metaphorically, from the very first scene.