The Heart of Cheney
As a film about contemporary essay film and its artistry, Vice tells the story of Adam McKay, the director, who tries to get Dick Cheney’s heart. He is one of the most vicious Vice Presidents in history. In the film, he is politically angry, but the assassination of a character becomes a comedy. With McKay’s approach to humor and information, he explored his motivations and Cheney’s political maneuvers. In the film, there is almost no character development.
For the next two hours, personal information involved Cheney’s relationship with his wife and daughter. However, McKay uses the project as a pretext in exposing what he believes about Cheney’s heart. A doctor places his patient’s occluded organ on the table. It is a frame in itself in passing Cheney’s heart, charred but out of the cavity, underlining Vice‘s subtlety in agreeing with Cheney’s humanism as the man who can hook his president.
The Trademark of McKay
Adam McKay is powerfully and quietly changing the visualization of storytelling in mainstream media. With the award-winning academy film The Big Short, he has shown himself to be a master at creating fun entertainment from complex types of topics. He is trying to confuse what Hollywood would traditionally ignore because it is complicated and boring to touch. McKay is a director who can turn the theory of executive unity, journalism, catering, and the subprime mortgage crisis into mainstream entertainment for the mainstream audience. He made a film on the same subject, featuring a cameo-like Margot Robbie as a distraction. However, he instead cuts out the boring financial details by bringing the topic to life.
In Vice, McKay put together work devoted to ideas when audiences brought together a group of actors trying to find out who was behind the tragedy of 9/11. He argues as he maps Cheney’s power from a good Wyoming boy to the powerhouse behind a mysterious throne. Cheney remains an enigmatic character under Christian Bale’s reported method of 40 pounds of extra weight and hefty makeup. At the beginning of the film, Cheney’s wife, Lynne, tells a drunken idiot to clean up his act in 1963 after being accused of drunk driving. He appeared as a White House intern for Chief of Staff Donald Rumsfeld in the Nixon Administration to transition from hick to political strategist.
The Definition of Essay Film
McKay likes to challenge his audience. He made his audience understand intelligently by being involved in an event in the film. For most people, McKay became a cultural pioneer in shaping conventional literature by visualizing essay films. He made the essay film a thing whose audience wants to know, historically but biopic, how the subject is fascinating to watch from beginning to end. In essence, McKay makes his work one of the most exciting yet innovative in the modern era. When it comes to essay films, there is a distinction between the audience and the medium. YouTube might be the best example of the interdisciplinary nature of a film essay.
However, what is a film essay? The definition of an essay film is liquid. However, the author usually determines its form by editing by becoming the leading role as the narrator or voice-over. The author’s voice is at least in editing as in production or script. While most film essays are personal, they further blur the distinction between fiction and documentary. Essay film writers assume such a persona often. It creates a direct relationship between viewer and writer. The audience is aware of the author’s existence behind the scenes in standard fictional narratives. In essence, the film essay drowns the audience not to forget the presence of a behind-the-scenes fact at the beginning.
The Entertainment of Dry Subject
Besides a blockbuster film, the author does not want the audience to think someone is editing and creating the story. In contrast, the essay film results from a mirror reflection which makes the audience pay attention to the construction and cutting with a wide area. It is the point of film essays to inspire the audience to take pieces to think. Many students write a paper for a college class but do not cite evidence to support a point. Hans Richert says that essay films can draw on a much more excellent expressive resource than documentaries. It helps make an idea, though, and imagination invisible.
By being a dry topic, film essays give the issue a color that can be entertaining. In McKay’s case, he makes the driest subject visible. It is, frankly, difficult to determine how the film essay exists other than its definition is fluid. Michel de Montaigne, a philosopher of the French Renaissance, explains how the idea of the “essay” itself takes the French word for “try.” Montaigne’s thought is about trying an idea. French New Wave and film essayists are generally aware of following the experimental trial of Montaigne’s essay. In Vice, McKay introduces the character as a subtext of essay film driven by contemporary ambition and plays in an artistry fake Shakespearean scene.
The Narrative of Vice
The contemporary essay film Vice and its artistry come from a former soldier who died on the battlefield. His identity remained mysterious until the end and was one of the tricks played by McKay. Cheney agreed to be the second point for George W. Bush, discouraging his interest in the position, showing McKay an angsty but tense image. At first, Cheney turned down the office to make Bush want him even more. In the film, Cheney never gets involved with politics where he and Lynne decide to live the rest of their lives collecting award winners. However, he agreed to head a committee, find Bush the perfect vice president, and surrender. The whole point of Vice is to test different versions of a plausible to the bizarre occurrence.
It is about to underline the truth in-depth. The unknowable nature pushes the guy under the surface. It is testing how Vice strengthens its artistry edge and its contemporary as an essay film to get out of the way. McKay is thinking of a cinema by connecting the audience not to ignore the character in Vice themselves. Apart from trying, from the point of a film essay, the main thing is to have an opinion. Video essayists on the internet, with a wide variety of topics other than films such as politics, books, painting, and society, are great examples and cases of a film essay.
The Subjectivity of Vice
Vice, at first glance, is the film’s sloppy attempt at recapturing the trademark of most of Oliver Stone’s movies. However, it is about Cheney reaching his peak after 9/11. When he arrives at the White House, McKay puts aside drama is simply explaining how the subject is, in effect, controlling an event. On the other hand, McKay did not create any conflict investment to show his shameless hatred for the subject. He is probably using a proper tool when it comes to editing.
Audiences then forget about the existence of Christian Bale or Jesse Plemons because Vice feels like a political documentary that is subjective in the form of a film essay. As a result, the audience finally believed that Cheney was a dangerous, cold-blooded, and unfavorable man. It is difficult to understand whom McKay wants to convince with Vice because the target is the subject itself.
The Influence of Essay Film
The purpose of Vice is not to remind the audience of the tragedy in the early 2000s. Regardless of how the audience side, when it comes to politics, McKay brings the topic in a broader sense, opens up a new creative tool, and looks for a loophole in the form itself. Vice managed to raise a thousand questions about the subject itself. Does the film hope to remind audiences of Washington and its power greenhouse?
Did Cheney influence the actions of the Vice President in producing an illegal war? From arguments about Cheney’s deepest heart, McKay argues through visual allusion to current events. Of course, the audience agrees with McKay and Vice‘s view. It obscures the true complexity, not historically, but becomes an obscure form that has become a rapidly growing field on the internet and even academia.
- Eggert, B. (2018). Vice. Deep Focus Review.
- Friedrich, H. (1991). Montaigne. Univ of California Press.
- Harvey, D. O. (2012). The Limits of Vococentrism: Chris Marker, Hans Richter and the Essay Film. SubStance, 41(2), 6-23.
- Tracy, A., Vincendeau, G., McGahan, K., Darke, C., Andrew, G., Möller, O., Wolf, S., Power, N., & Bradshaw, N. (2019). The essay film. Sight & Sound | BFI.
- The Take. (2019). Vice: The Essay Film and the Creativity of Adam McKay. YouTube.