In Kon’s other works of art, his films always concentrate on how psychology processes cinema and the medium above all.
Tag: Cinema (Page 21 of 23)
Living and vital, Crimes of the Future views and appeals to the transformational reality of the body in a personal yet urgent way.
Everything Everywhere All at Once explores how a structure of reality is how human consciousness in knowing or understanding metaphysics.
Burning is contemplating inwardly rather than confining in logic.
In cinema, Rashomon remains so powerful because it uses the power of sight.
Through self-references and beginnings, 8½ tells the story of the making of the film.
Cléo from 5 to 7 might occur outside the second prison in the slice of life that clocks in motion.