Trumbo builds on the Johnny Got His Gun dialectics on the works of György Lukács and Mikhail Bakhtin, expressing what we can best describe as a body of grotesque, reified, and phenomenal.
Tag: Horror (Page 4 of 5)
The compulsive approach of Diabolique has control over every detail, which results in technical precision.
While we can also interpret Annihilation in many ways, ultimately, the sense of completion and finality stop audiences from returning to Garland’s films in the future.
In Midsommar, Ari Aster injures his character with horrific trauma while it echoes through the rest of the film once again.
In essence, the spectacle that underlies all social perspectives of all consciousness makes society focus on various performances.
The simple, voyeuristic stick figure universally creates a strange intimacy that is an authentic portrayal of humanity’s connection to the universe and depression.
The case explores the point of view of the protagonist of American Psycho as a male character and how a particular trigger can influence the negative impact of media on the consumer’s psyche.