Hereditary is one that the audience is absorbed in, even infatuated with memory.
Tag: Horror (Page 5 of 5)
The heights Obayashi reached in House created a creative way to open up even more exciting genres, especially horror.
In Kon’s other works of art, his films always concentrate on how psychology processes cinema and the medium above all.
Living and vital, Crimes of the Future views and appeals to the transformational reality of the body in a personal yet urgent way.
In such areas of abstraction, Eggers often applies material effects to chaos, causing a real time jump between explosions and motivated characters.
Edgar Wright’s Last Night in Soho turns nostalgia into a haunting psychological thriller, blending 1960s glamour with horror, exploitation, and the dangers of idealized memory.