Monster took a cat-and-mouse twist, becoming one of the most “underrated” anime series of all time.
The case explores the point of view of the protagonist of American Psycho as a male character and how a particular trigger can influence the negative impact of media on the consumer’s psyche.
In the Mood for Love maintains the universality of its formula as art, despite the Hong Kong modernity that once characterized Wong’s style as being the same site he uses.
Taxi Driver enforces an infectious relationship with its audience.
12 Angry Men offers an exploration of the evil of indifference, far more pervasive yet powerful than the common monster crimes in movies but rare in real life.
In Citizen Kane, old age comes with defeat and does not come with grace.
The strange self-duplicating of the on-screen display becomes a viewing experience for the original viewers of the World on a Wire broadcast.
When it comes to real, internal, subjective, or hallucinations, Persona is almost always the case in a text enjoying superficial confusion.
On Bullshit is just a sense of language, that makes both words different.
In the latter area, Cowboy Bebop has become a hallmark of visual presentation regardless of more than 20 years.