What if the reality we experience is already being shaped by the categories through which our minds understand it?
Shinsekai Yori portrays how a peaceful community employs fear, isolation, and brutality in order to maintain social order, posing disturbing questions on ethics and humanity.
Rust Cohle’s philosophy is that nothing really matters, but his actions prove otherwise.
Interstellar raises the question of whether humanity is able to overcome its limitations and still retain the wonder, compassion, and optimism that makes us human.
An interpretation of Death Grips within the context of Bakhtin and Kristeva shows how Death Grips transforms bodily excess into music through vulgarity.
Our desire to achieve 100 percent completion shows us how the digital world has turned progress into an observable expression of discipline, worth, and identity.
Roland Barthes’ The Death of the Author redefines authorship by placing the creation of meaning in the hands of the reader.