Flow (2024) is a contemplative cinematic poem that draws on Confucian principles of related selfhood and challenges Western ideas of individualism by using water as both a symbol and a framework.
In understanding the various complementary sequences of Meshes of the Afternoon and its alternative objects, there are several games for us to play.
Mind Game is very entertaining without sacrificing any kind of human logic that applies to film.
Béla Tarr’s Sátántangó redefines cinema through its radical style, slow pace, and profound exploration of human existence.
The simple, voyeuristic stick figure universally creates a strange intimacy that is an authentic portrayal of humanity’s connection to the universe and depression.
The heights Obayashi reached in House created a creative way to open up even more exciting genres, especially horror.
F for Fake blurs the line between documentary, essay, and fiction, transforming deception into an art form while questioning the very nature of authenticity.